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弗兰齐丝卡亚收到琛市的邀请函，称热忠慈善事业的哈曼夫人要对公众展出一块40年没被展出过的绿宝石——娅娜。弗兰齐丝卡，莱娜和拉贝奉命保护绿宝石的安全。她们凭借着机智和勇敢跟盗贼展开周旋，然而事情并不像她们想的那么简单…… 帝蔓这起谋杀案的重要证人被杀害了，只是留下了一段录音，案子涉及了一位很有名的妓院的女老板，为了查到事实的真相，疯狂天使再次出击，她们分别行动从不同的线索出发，一个受惊吓的证人，一个案发地点，和直接进入妓院的内幕。三个姑娘各显神通，同时还要与女老板的手下斗志斗勇。连姑娘们的侍从都加入到队伍中，假扮嫖客深入其中，可是最后还是被发现了，还好有惊无险，最后综合了各方的信息，得知了这是个贩卖人口的窝点，只要你看中哪个姑娘，付了钱，他们就负责绑人。最后终于发现了最重要的证据，成功的破了案子。。长谷川桃子（北川景子饰）原本是婚礼公司的策划人，一次工作失误她被贬谪到支社葬仪社的特别清理科。不明所以的桃子接手第一项任务后才发现要她做的竟是清理银行劫匪被击毙的现场及劫匪的尸体，更难以置信的是，面前躺着的竟是高中时对她谆谆教导的班主任。 悲痛的桃子在抚摸老师遗物的时候突然晕了过去，醒来时却发现自己回到了昨天，电话那头友人大河内日奈（浅見れいな饰）开着前一天的玩笑，新闻里播的是昨天的新闻……反复确认这不是梦境后，桃子迅疾展开了挽救老师的行动！ “你今后会拥有让时光倒回的能力。”原来12年前早有预言，只要触摸死者的遗物，桃子就能回到过去改变历史。于是，在同事大友将太郎（谷原章介饰）的帮助下，桃子开始了一轮又一轮的穿越……。Herbert Vesely was one of the promises for a new German cinema already in the 50's, but after the 60's his star was already dimmed. He made a small number of films in the 70's and 80's, all non too good. This biography of Egon Schiele, one of the most important Austrian artists, is an example of the pretensions and emptiness of a Vesely-film of later date. The life of Schiele is presented here as a puzzle| well, Vesely thinks that Schiele's life was a puzzle: the core of the story is centered around the famous 1912 pornography trial and using this as base the film shows fragments of past and future. The problem is that it never becomes a unity and that the order of scenes and sequences seems to be at random: a cut-and-paste job that could have had any other result. Indeed, after seeing it twice I am almost convinced of it that a unsatisfactory linear thought-out film was changed into the puzzle in the editing room. Egon Schiele was an enigmatic man, but not a total puzzle, and this film does not bring him any closer. The films also fails in conveying the eroticism and meaning of the Schiele's paintings: the camera watches and glides over the models without any understanding of Schiele's intentions, we only see beautiful naked bodies. If interested in Schiele, you better buy a book with his works in stead.。