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有95年歷史的奇乐百货公司面临同业竞争的威胁，正想竭力打出一条生路之际，老闆柴多泰突告病逝。因长子柴家齐﹝蔡枫华饰﹞在外国留学未返，遂由年青有为的留美学生段星寒﹝任达华饰﹞接手管理，将百货公司大事改革，强调「作风新、字号老」，并力邀蒋仰男出任掌管公司命脉的採购部主管。另一方面，售货员侯舒容获蒋仰男﹝欧阳佩珊饰﹞赏识，悉心栽培，大有成为蒋仰男将来接班人之势。在私人感情方面，蒋仰男及侯舒容﹝郑裕玲饰﹞同时爱上了段星寒，因此二人关系越趋恶劣，而段星寒则从中独享渔人之利。 原来段星寒背后有个不可告人的故事，接手百货公司亦是另有企图，当他财色兼收欲一走了事之际，身份被揭发，并牵涉入一宗谋杀案之中。究竟段星寒是甚么身份？他与蒋仰男及侯舒容之感情又如何了断呢？。The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。乔治娅奥基弗（琼·艾伦 Joan Allen 饰）是一位个性独立自信自强的先锋女性，一次偶然中，她和著名摄影师史地格兹（杰瑞米·艾恩斯 Jeremy Irons 饰）相识了。起初，两人的相处并不愉快，但随着时间的推移，一种艺术家之间的心心相惜让两人之间的距离越走越近，最终摩擦出了炙热的爱情火花，史地格兹甚至为了乔治亚而结束了自己的婚姻。 两人之间的爱情虽然璀璨，但却犹如划过夜空的烟火，无法持久。随着乔治娅的名气越来越大，无法望其项背的史地格兹感受到了被抛弃的滋味。在反复的争吵和背叛中，乔治娅与史地格兹的感情终于走到了尽头，离开成为了乔治娅唯一的选择，然而她明白，这并不是她人生的终结，而仅仅是开始。。